I haven’t been back to my hometown much lately. But I heard that the sand quarry where my high school friends swam is the site of proposed town homes.
Too deep and too unsupervised for families, The Pits was a teenage kingdom. We would park along Highway 61 a few miles north of Winona, cut through cottonwood and grape vine thickets, lay our towels and beer coolers on the beach and sprint over the heated sand into the water.
But the Pits is the last in a long line of places that have become something else.
Most of those places served pizza or ice cream or french toast or hamburgers. We were teenage boys and, like dogs, loved any place that fed us and let us bark.
Some of us saw Diner three or four times. That movie tries to see how much love it can press into images of plates bobbing in those plate wells and armies of ketchup bottles draining. We saw Diner at the right time, when we were just out of college, but still clinging to a few favorite places the way a six year old will still secretly grab a teddy bear.
Colson Whitehead shares some of this love of place. The Colossus of New York is an essay written in a second person so intimate it feels like fiction. In it, he writes of his town that “no matter how long you’ve been here, you are a New Yorker the first time you say, That used to be Munsey’s or That used to be the Tic Toc Lounge.”
And, then, a beat later: “You are a New Yorker when what was there before becomes more real than what is there now.”
At least for those of us who moved away from a town, our case is different. Live long enough and your past starts to feel like time-lapse photography, at once twitchy and fluid. When what is in Winona saddens us, we know we’ve really left.
This isn’t tragedy. Nostalgia for us is a pang, not a pain.
But give the pang its moment. Whitehead again: “We can never make proper goodbyes. . . . At some point, you were closer to the last time than to the first, and you didn’t even know it. You didn’t know that each time you passed the threshold you were saying goodbye.”
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