1. I regret that I dismissed Willa Cather as a grandmotherly irrelevance. My Antonia is an invaluable book. Its celebration and criticism of the Midwest still rings true.
2. Part of my problem with Cather was that she was so quintessentially Midwestern. And there’s always been a certain kind of Midwestern writing which I’ve disdained: self-consciously folksy, smugly dreary, theatrically laconic. Identity as self-parody. I still hate that kind of writing, but that’s not Willa.
3. I am also embarrassed by the Midwest in approximately the same way that teenagers are embarrassed by their parents. I’ve confused this with a literary judgment.
4. I scanned the intelligent introduction and it points out that the book’s essential emotion is nostalgia–an emotion defined by its very inability to become action and thus not a tricky theme for fiction. Interestingly, the liveliest parts of the book are the chapters when Jim–who is so clearly a stand-in for Cather that the book exudes a strangely wholesome androgyny–is a senior in high school and about the leave Black Hawk. In this, the book feels closer to movies like Ghost World and Diner than to old prairie novels.
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